Thomas Harris’s book came at a pivotal moment: One of the last smash hits of the ’90s, it was also one of the first big releases of the hyper-speed, hyper-opinionated internet era.
Thomas Harris’s book came at a pivotal moment: One of the last smash hits of the ’90s, it was also one of the first big releases of the hyper-speed, hyper-opinionated internet era.
How do you bring an almost plotless book of elliptical fragments to the stage? The director Katie Mitchell has tried with three actors, four screens and three bottles of whiskey.