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“The Freaks Came Out to Write” is an oral history of America’s most important alternative weekly.

In “Brought Forth on This Continent” and “The Last Ships From Hamburg,” people fleeing violence and famine meet resistance in the United States.

In “The Book of Love,” the Pulitzer finalist and master of short stories pushes our understanding of what a fantasy novel can be.

In her new novel, “Leaving,” Roxana Robinson reunites a former couple. One of them is divorced; the other is still married. What now?

With Burton and Taylor as stars and a writer and director feuding, adapting the scabrous play wasn’t easy. “Cocktails With George and Martha” pours out the details.

“Literary Theory for Robots,” by Dennis Yi Tenen, a software engineer turned literature professor, shows how the “intelligence” in artificial intelligence is irreducibly human.

In “The Secret History of Bigfoot,” John O’Connor explores a legend that refuses to die — and his own place in a disenchanted world.

In Margot Livesey’s new novel, “The Road From Belhaven,” a 19th-century farm girl’s life and maturity are complicated by her uncontrollable visions of accident and disaster.

In Francis Spufford’s new novel, “Cahokia Jazz,” a detective must solve the mystery of a staged killing before its repercussions destroy his city’s social and political order.

In “Everyone Who Is Gone Is Here,” Jonathan Blitzer connects the dots between U.S. foreign policy in Central America and the migrant crisis.