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In “The Sisterhood,” the journalist Liza Mundy chronicles the frustrations, triumphs and compromises of the women of the C.I.A.

The new book by the Philippine journalist Patricia Evangelista recounts her investigation into the campaign of extrajudicial murders under former President Rodrigo Duterte.

“Remember Us” recalls the fires of 1970s Bushwick. “Gone Wolf” begins in a 2111 Southern breakaway nation after a second Civil War.

His new novel, “Tremor,” uses images and artifacts to look deeply into trauma, identity and consolation.

Kelsey Norris’s “House Gone Quiet” and Justin C. Key’s “The World Wasn’t Ready for You” share an interest in the ways that being bound shapes our understanding of freedom.

Adam Thirlwell’s “The Future Future” follows a 19-year-old socialite through a prerevolutionary Paris that looks suspiciously like our present day.

“I Love Russia,” a collection of Elena Kostyuchenko’s reporting over the past 15 years, captures the lives of ordinary, often struggling, people in far-flung parts of the country.

In “The Lumumba Plot,” the Foreign Affairs editor Stuart A. Reid asks whether the Central Intelligence Agency was involved in the death of one of Africa’s most famous post-colonial politicians.

Fuchsia Dunlop’s “Invitation to a Banquet” is a cultural investigation of an impossibly broad and often misunderstood cuisine.

In Rupert Thomson’s new novel, “Dartmouth Park,” the sound of a mundane beep triggers in one man what may be either a revelatory metaphysical journey or a bout of male existential angst.